The problem was finding the vocal line so we could include it in the show. We had the orchestration and the words, but no vocal line and no piano reduction for the song. Neil Midkiff has reconstructed the vocal line and arranged an accompaniment from the orchestrations, using ample instrument doubling as the clues to the tune.
I mentioned this number in an email to Ken Reeves, a musical researcher in England, and he has gone back to an 1899 score in the British Library (logo at right - not a picture of Ken Reeves :-) He was kind enough to call up that old manuscript and copy out the original piano vocal reduction of Land of my Home and mail it to me.
I mentioned this number in an email to Ken Reeves, a musical researcher in England, and he has gone back to an 1899 score in the British Library (logo at right - not a picture of Ken Reeves :-) He was kind enough to call up that old manuscript and copy out the original piano vocal reduction of Land of my Home and mail it to me.
I like Neil's version. Of course I'll leave it up to him what material of the original to adopt, of course, but we'll be able to present this tenor ballad in our concert version of Florodora, probably the first hearing in a very long time.